What Andrei later learns about Domenico is that he harbours a great secret, leading to an intriguing interrogation into the nature of mankind. Like with JosephsonвЂ™s later character in The Sacrifice, he believes that this act is what is needed to save the world. Things start to get rather more interesting however, when he meets a local man named Domenico - played by Erland Josephson -who endlessly attempts to get across a mineral pool whilst holding a lit candle. He even turns down the advances of his interpreter. Reflecting perhaps TarkovskyвЂ™s own estrangement from his home country, the aptly named Andrei - played by the great Russian actor Oleg Yankovsky - longs for his hometown, and feels out of place among the frescoes of Northern Italy. His first film directed outside of his native USSR, it saw him team up with an Italian production company to tell the story of a Russian writer who travels to Italy in order to research an 18th Russian composer who made his home there before going back to Russia to commit suicide. Nostalghia is the most ignored among Tarkovsky films, and perhaps unfairly so. And so possibly as futile as trying to keep a flame going when pacing up and down an abandoned swimming pool, here are his works ranked from worst to best. Therefore, ranking TarkovskyвЂ™s works is a task in figuring out which films are even greater than the others.ДЄs a result, think of it less as from worst to best than from least great to greatest. Avoiding the usual pitfalls of heavy dialogue and plot, he sought to create a body of work that could only be described as вЂcinematicвЂ™.ДЇavouring long and expressive takes, an abundance of metaphors that can be interpreted any such way, and a richness of texture and sound design arguably unmatched in cinema, TarkovskyвЂ™s work has an extraordinary purity which gives it an almost holy aspect. He used directing and editing as a way to give meaning to the way humanity remembers things, and the way we order our own memories. As he famously said, whenever a scene looked like it would approximate the work of another, he would modify it so it would retain his original vision. Yet, what truly sets him apart was his reluctance to ever make a movie in the manner of anyone else. He is one of cinemaвЂ™s finest stylists, with as unique a style as Mizoguchi, Renoir, Bresson or Dreyer. Instead it works as the perfect expression of his art and philosophy. With only seven features to his name, no film by Tarkovsky ever feels like a compromise between him and meddlesome producers - even though there were many of them. When ranking the movies of Andrei Tarkovsky, there is one very important thing to keep in mind: every single film he made is a masterpiece.

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